![]() In the exposition, expect the secondary theme to start and end in a non-tonic key. P, S, and C are all typically very stable areas only TR is unstable. On the whole, the exposition is a relatively stable part of the form. Standard formal layout of a sonata exposition. Closing Area (C): a large suffix in the non-tonic key.Įxample 3.Secondary Theme (S): the contrasting section, in a non-tonic key (typically V for major-mode pieces and III for minor-mode pieces) concludes with the essential expositional cadence.Transition (TR): the connective section concludes with the medial caesura.Primary Theme (P): the main section, in the tonic key concludes with a cadence in the tonic key.The exposition can be further broken down into four sections with specific names: Expositionĭue to its popularity and intricacy, sonata form has developed its own set of terms to help capture its multiple formal components, but these components share properties with other formal sections (see Formal Sections in General). The sonata form’s first reprise is called the “exposition,” because it exposes the main thematic material of the work. Standard formal layout of a complete sonata form. ![]() ![]() At the largest level, the form is as follows in Example 1, and each of those large levels is further subdivided, as shown in example 2. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |